Definitive MCP server for Ableton Live: complete LOM coverage, embedded knowledge base and music recipes.
Get audio features for ONE track — BPM, musical key (name + Camelot + Open Key), energy, danceability, valence, acousticness, instrumentalness, liveness, speechiness, loudness, mood, mood_vector, genre, time signature, duration and more. This is the drop-in replacement for Spotify's deprecated /audio-features endpoint. Provide AT LEAST ONE identifier — if you know several, send th
ArgumentsA call is made on an account: it counts against an allowance and the publisher sees it, which is why this one asks who you are first.
What it does
Audio features (BPM, key, mood, genre) for real tracks - a Spotify audio-features replacement.
Quickstart
# 1 — install (mcprush login holds a key from your dashboard)
npx mcprush@latest add freqblog-music-metadata-mcp
# 2 — ask your agent something
> Audio features (BPM, key, mood, genre) for real tracks - a Spotify audio-features replacement.
FreqBlog Music Metadata is free: there is no plan to choose, no cap to set and nothing that can bill you.
Collected from a public index. Nobody has claimed this account, so nothing here was written by its author — claim it if it is yours.
Where are you running it?
Every route below installs the same thing and ends at the same approval screen. Nothing here runs on your machine — this server runs on the publisher’s own infrastructure behind our gateway, and what you install is the connection to it.
This is a public server: you run it yourself and this marketplace is not in the path. Claude Code registers it in one command.
claude mcp add --transport http freqblog-music-metadata-mcp https://mcp.freqblog.com/mcpReconnect, or start a new session, and the tools appear in the model’s tool list.
One config entry pointing at the gateway. The server itself runs on the publisher’s own infrastructure, so nothing from this listing executes on your machine.
12 tools, with what each one reads, writes and reaches shown before you agree — the same list on every route above. Read the tool surface.
Tool surface
What the model actually sees. Descriptions are diffed on every release — see version history.
Get audio features for ONE track — BPM, musical key (name + Camelot + Open Key), energy, danceability, valence, acousticness, instrumentalness, liveness, speechiness, loudness, mood, mood_vector, genre, time signature, duration and more. This is the drop-in replacement for Spotify's deprecated /audio-features endpoint. Provide AT LEAST ONE identifier — if you know several, send th
Takes no parameters.
Get audio features for MANY tracks in one call (up to 50 processed) — ideal for analysing a whole playlist at once. Identify each item by name (`track`/`artist`), by `isrc` (matched exactly first — best for CJK / K-pop / niche tracks whose fuzzy name-match misses), or both (ISRC first, name as the fallback). One bad entry never fails the batch. Items beyond the 50-per-call cap com
Takes no parameters.
Full-text search the catalog by any mix of track / artist / album tokens. Use this to resolve a fuzzy, partial, or misspelled name into concrete tracks BEFORE calling get_audio_features. Returns lightweight stubs (itunes_track_id, track_name, artist_name, album, etc.) ranked by relevance — NOT audio features. Take the best match's track_name + artist_name and pass them to get_
Takes no parameters.
Find catalog tracks near a target tempo. Returns tracks whose BPM is within +/-`tolerance` of `bpm`, ordered by closeness then popularity — useful for DJ set planning, workout playlists, or tempo-matching. Each returned track carries full audio features. To also constrain by musical key, combine with find_tracks_by_key.
Takes no parameters.
Find catalog tracks in a given musical key — for harmonic mixing and key-locked playlists. `key` accepts Camelot ("8A"), Open Key ("1m"), or a key name ("A-Minor", "F#-Major"). Returns tracks ordered by popularity, each with full audio features. To discover which keys mix well with a given key first, use find_compatible_keys.
Takes no parameters.
Given a Camelot key (e.g. "8A", "12B"), return the harmonically compatible keys for DJ mixing — the same key, the relative major/minor, and the adjacent +/-1 keys on the Camelot wheel. With `extended=true` also returns the +7/-7 energy-boost / energy-drop keys. Pure music theory — no catalog lookup and no quota cost. Pair with find_tracks_by_key to then pull actual tracks in each c
Takes no parameters.
Score how well one catalog track mixes into another (0-100) — the pairwise DJ transition score no raw key/BPM API gives you. Combines Camelot-wheel key compatibility, octave-aware BPM proximity (half/double-time counts as a match), and energy smoothness. Returns the overall `score`, per-component scores (`harmonic`/`tempo`/`energy`), a `detail` block (key_relation, both Camelot ke
Takes no parameters.
Given a seed track, return the top-N catalog tracks to play NEXT, ranked by transition score. Each suggestion carries the same `score`, per-component scores and human `reason` as score_transition (e.g. "11B->11B same key, 118->117 BPM (-0.29), energy +0.12"), plus its `genre` and `genre_relation` to the seed. GENRE-AWARE by default (cross_genre=auto): off-genre picks that only coin
Takes no parameters.
Order a crate of 2-100 catalog tracks into a beat-matched DJ set that follows an energy arc, keeping each consecutive transition harmonically and tempo-smooth. `arc` is one of peak_time (default — builds to a peak then eases), warmup, cooldown, or flat. Returns the `arc`, `count`, an overall `flow_score` (0-100), the `tracks` in play order, the per-step `transitions` ({from_index,
Takes no parameters.
Recommended tracks for one or more seed tracks — the drop-in for Spotify's removed GET /v1/recommendations. Blends up to 5 catalog seed tracks into a single point in audio-feature space and returns the nearest catalogue tracks, RE-RANKED by genre affinity (so a feature-close cross-genre track doesn't outrank same-genre picks). Returns `seeds` (each {id, found}), `count`, and `trac
Takes no parameters.
Artists related to a seed artist — the drop-in for Spotify's removed GET /v1/artists/{id}/related-artists. No artist graph exists, so we derive one: build the seed artist's track-vector centroid, take its nearest catalogue tracks, aggregate by artist (each scored on its top-3 track similarities so a prolific artist can't dominate) plus a same-genre lift and a cross-genre penalty.
Takes no parameters.
Get a compact, HONESTLY-LABELLED tag list for a track — energy / danceability / valence / acousticness / instrumentalness, plus a mood tag and a broad genre tag. It is a tag-shaped projection of the same open-data analysis get_audio_features returns (no audio upload, no extra compute), so it costs the same 1 quota unit, charged only on a served result. The differentiator vs opaque
Takes no parameters.
- Every tool, no call limit
- No card, no account needed
- Source published under a licence you can read
- Runs on your machine — nothing of it reaches our gateway
- Nothing to cap, because nothing bills
What counts against your monthly calls
| Tool | Unit | Calls used | Out of the allowance |
|---|
Nothing here is billable. FreqBlog Music Metadata costs nothing to install and nothing to call, at any volume.
Two independent axes, because powerful and malicious are different questions. The grade is threat only. The capability level is blast radius, and it is never a penalty on the grade — it is priced as one subtract-only term in the score, where you can see it.
This listing is a hosted endpoint: the publisher runs it and we connect to it. The scanner reads packages and source, and neither exists to read here, so there is no grade — not a withheld one, an unmeasured one. What can be checked instead is on Installation: what it asks to reach and what it writes.
Release history
Pinned to 1.27.2 — the install command below asks for that release. A pin is part of an install, so it is kept for this visit and written down when you install.
No release note was published with this version.
Only accounts with at least 50 real tool calls against this server in the last 90 days can post. Ratings are weighted by how much the reviewer actually uses it, and publishers can reply once per review.
Writing one takes an account with at least 50 real tool calls against FreqBlog Music Metadata in the last 90 days. That is the whole gate — there is no other way to post, which is why the counts beside each review are worth reading.
Nobody has reviewed this listing. The rating on the card is the mean of the reviews written here and nothing else, so there is no rating until somebody writes the first — which takes an account with 50 real tool calls against it.