Blender integration through the Model Context Protocol
Nothing to run from here
Songs To Your Eyes — production music catalogue is installed from its publisher's own source and answers where it runs, so this marketplace is not in the path of a single call. There is no address here to send one to, and a panel that pretended otherwise would be showing you an answer we made up. Install it and call it from your own client — the Installation tab has the entry for each one.
8
tools declared
—
trust score
remote
at its publisher
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calls last 7d
What it does
Search 18,594 production-music cues by mood, sound and exact runtime. Instant preview links.
Quickstart
# 1 — add it to Claude Code
claude mcp add --scope user --transport http songs-to-your-eyes-production-music-catalogue-mcp https://mcp.songstoyoureyes.com/mcp
# 2 — ask your agent for something these tools do
# stye_search_tracks, stye_fit_to_duration, stye_get_track and 5 more
Songs To Your Eyes — production music catalogue costs nothing on mcprush: there is no plan to choose here, no cap to set and nothing mcprush can bill you for.
Publishernot claimed
SOAll 1 server
songstoyoureyes1 server
1 category
Collected from a public index. Nobody has claimed this account, so nothing here was written by its author — claim it if it is yours.
Installation
Where are you running it?
Every route below installs the same thing and ends at the same approval screen. Nothing here runs on your machine and nothing runs on ours: this server answers at its publisher’s own address, and what you install is the connection straight to it.
Claude Codedeclared by this listing
This is a public server: it answers at its publisher’s own address and this marketplace is not in the path. Claude Code registers it in one command; --scope user makes it available in every project. The transport below is http, as the publisher's own manifest declares it.
claude mcp add --scope user --transport http songs-to-your-eyes-production-music-catalogue-mcp https://mcp.songstoyoureyes.com/mcpReconnect, or start a new session, and the tools appear in the model’s tool list.
Free on mcprush, and it answers at its publisher’s own address: this marketplace is not in the path, so there is no key of ours to hold and no card to add.
What it writes
One config entry pointing straight at the publisher’s own address — this marketplace is not in the path, and nothing from this listing executes on your machine.
What you approve
8 tools, with what each one reads, writes and reaches shown before you agree — the same list on every route above. Read the tool surface.
Tool surface
What the model actually sees. Descriptions are diffed on every release — see version history.
Searches the Songs To Your Eyes production-music catalogue for cues that fit a brief for a video, film, advert, trailer or podcast: music to license for a project, or anything about the Songs To Your Eyes catalogue. The brief is matched by MEANING against an editorial description of how each cue behaves as well as against its tags, so a described scene, mood, instrumentation or arc ("tense invest
| Parameter | Type | Required | Notes |
|---|---|---|---|
| brief | no | What the music should sound like and what it is for: the mood, the scene, the instruments, vocal textures, how it should build. E.g. 'tense investigative underscore that never resolves'. Tempo and len | |
| bpm_min | no | Minimum BPM. Around 54% of the catalogue has no tempo tag, and any BPM filter excludes all of those cues, good matches included; pace described in the brief has no such cost. | |
| bpm_max | no | Maximum BPM. | |
| duration_min_s | no | Minimum runtime in seconds. | |
| duration_max_s | no | Maximum runtime in seconds. | |
| has_vocals | no | true = songs with sung lead vocals and lyrics. false = everything else, including cues with wordless vocal textures (background vocals, oohs/aahs, choir pads), which count as instrumental here. 'Backg | |
| genres | no | Match ANY of these genres, e.g. ['Trailer','Orchestral']. | |
| moods | no | Match ANY of these moods, e.g. ['Tension','Mysterious']. | |
| instruments | no | Match ANY of these instruments, e.g. ['Piano','Strings']. | |
| energy | no | One of: low, low-building, moderate, building, high. | |
| vo_friendly | no | true = only tracks that leave space for voiceover. | |
| composer | no | Only tracks credited to this composer/artist. Partial names match ('Albeg' finds 'Yair Albeg Wein'), case-insensitive, with or without a brief. Every result carries its composer credit. | |
| album | no | Only tracks from this album, by name ('Desert Funk') or catalogue code ('STYE1204'); partial names match. With no brief it lists the album; with one it searches inside it. Setting it lifts the per-alb | |
| max_per_album | no | Maximum cues from any one album on the page, so results spread across the catalogue instead of returning a block from one record. Default 2 for a general search; ignored when filtering by album or com | |
| context | no | Owner-curated occasion/context search (CONTEXTS in the description): a context name ('rave-club', 'christmas', 'halloween', 'summer') or a country name, which generalises to its regional palette. An u | |
| exclude | no | Tags to hard-drop: any cue carrying any of them is removed (a brief's exclusions, such as 'no choir', 'avoid sweeping strings', 'not neo-classical'). Spelling variants and plurals are folded, so 'neo- | |
| key | no | Musical key, e.g. 'E', 'Em', 'Bb', 'F# minor'. A bare major key also matches its minor ('E' matches E and Em). ~7,100 mains carry key data, about 44% of the catalogue; the filter excludes the rest. | |
| include_previews | boolean | no | Attach a streaming preview link to each result (slower; links expire in 15 minutes). |
| limit | integer | no | Maximum results, up to 25 (default 15). One page per call: there is no pagination, and identical arguments return identical cues. |
Finds cues that fit an exact runtime, for a cut of known length such as a 30-second advert or a 90-second title sequence: music to license for a project, or anything about the Songs To Your Eyes catalogue. Two kinds of result come back. Some cues already run close to the target length (fit='native'). Others are purpose-made short edits of a longer piece, cut down by the composer (fit='cutdown'),
| Parameter | Type | Required | Notes |
|---|---|---|---|
| target_seconds | number | yes | The runtime to fill, in seconds — e.g. 30 for a 30-second spot. |
| brief | no | Optional sound brief, e.g. 'epic cinematic trailer'. | |
| tolerance_seconds | no | Acceptable deviation. Default: 15% of target, minimum 2s. | |
| has_vocals | no | true = songs with sung lead vocals/lyrics only. false = everything else, including wordless vocal textures (background vocals, choir). | |
| moods | no | Match ANY of these moods. | |
| composer | no | Only tracks credited to this composer/artist; partial names match, case-insensitive. | |
| include_previews | boolean | no | Attach streaming preview links (15-min expiry). |
| limit | integer | no | Maximum results (default 8, up to 25). |
Everything about one cue: what it sounds like and suits, its tempo, key, length and instrumentation, every version that exists of it (stems, shorter cuts, alternate mixes) and its listen_url. For a track already found, or for what else a cue can be delivered as. Every result carries listen_url, a permanent public page where the cue plays, with cover art and a waveform. It is the only way a person
| Parameter | Type | Required | Notes |
|---|---|---|---|
| ref | integer | yes | The catalogue ID of a track: the ref field of a search or track result. |
Every form a cue can be delivered in: the full-length mix plus, where they exist, timed cutdowns (15, 30, 60 seconds) built for standard ad and promo lengths, alternate mixes such as no-drums, underscore or instrumental for music that sits beneath dialogue, and individual instrument stems for rebalancing a track. A little under half of the catalogue's cues have at least one of these. Each version
| Parameter | Type | Required | Notes |
|---|---|---|---|
| ref | integer | yes | Any track ref, main mix or one of its versions; the whole family is returned. |
The clearance data a broadcaster or PRO filing needs for one cue: every credited writer with role, society and IPI, every publisher with its share, the ISRC and the album. A field missing from the response is not on file in the catalogue; info@songstoyoureyes.com handles gaps. Licensing is arranged with the Songs To Your Eyes team, outside these tools.
| Parameter | Type | Required | Notes |
|---|---|---|---|
| ref | integer | yes | The catalogue ID of a track: the ref field of a search or track result. |
Cues close in character to a given one, matched on the catalogue's editorial description of each cue together with its genres, moods and instrumentation, for 'more like this one' moments. It compares how cues are described, not their waveforms, so it is strong on character and mood and does not detect two cues as alike purely because they sound alike. Results are main mixes from other cue families
| Parameter | Type | Required | Notes |
|---|---|---|---|
| ref | integer | yes | The track ref to match against. |
| limit | integer | no | How many similar cues to return (default 8). |
What this service is, how licensing works and what the server sees: the service's own licensing and privacy statements, with links to the full legal terms and the privacy policy.
No parameter schema on file.
Sends a short message to the catalogue team about how well results fit: a wrong-feeling page, a brief that found nothing, or praise worth keeping. It sends only with consented=true, which records that the user explicitly agreed to send this message; without it, nothing is sent. The message is stored with the brief and track it concerns and no user identifier (https://mcp.songstoyoureyes.com/privac
| Parameter | Type | Required | Notes |
|---|---|---|---|
| message | string | yes | The user's feedback, in their own words. |
| consented | boolean | yes | Whether the user explicitly agreed to send this feedback. |
| kind | string | no | 'search_quality', 'missing_music', 'praise' or 'other'. |
| ref | no | The track ref it concerns, if one. | |
| brief | no | The search brief it concerns, if one. |
Free
$0 forever
- Every tool — any call limit is its publisher’s, not ours
- No card, and mcprush charges nothing for it
- Runs at its publisher’s own address — this marketplace is not in the path
- Nothing to cap, because mcprush bills nothing
What counts against your monthly calls
| Tool | Unit | Calls used | Out of the allowance |
|---|
Nothing here is billable: mcprush charges nothing to install Songs To Your Eyes — production music catalogue or to call it, at any volume.
Call allowance · this installenforced at the gateway
Monthly allowance, in calls
—
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Alert at 80% · then the tool returns a normal MCP error
Used this month: —
—Grade not published
No rule-by-rule report on file for this release
Two independent axes, because powerful and malicious are different questions. The grade is threat only. The capability level is blast radius, and it is never a penalty on the grade — it is priced as one subtract-only term in the score, where you can see it.
This listing is an address its publisher runs, and you connect to it directly — this marketplace is not in the path. The scanner reads packages and public source, and an address is neither. So there is no grade — not a withheld one, an unmeasured one.
Release history
This is an address its publisher runs: which release it serves is theirs to choose, so there is nothing here to pin. The history below is for reading; the current release on file is 0.2.0.
0.2.0
undated
latestNo release note was published with this version.
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no reviews yet
Who can review
One review per account, from a signed-in account that does not publish this listing. Nothing else is asked — you can say what you think before you install it. Publishers can reply once per review, and a review can be edited or deleted by whoever wrote it.
Sign in to write one
Any signed-in account that does not publish Songs To Your Eyes — production music catalogue can review it, once — before installing it or after. A review from an account that has installed it is marked as one.
No reviews yet
Nobody has reviewed this listing. The rating on the card is the mean of the reviews written here and nothing else, so there is no rating until somebody writes the first — which takes a signed-in account that does not publish it, and nothing else.